Back with some art and music

Hi everyone!

This was a loooong hiatus! I'm so sorry to have abandoned the blog for so long, but let's hope we can revive it a little bit!

This post is all about art, and I'm starting to notice a pattern here... It tends to be the topic I choose when I want to get back to the blog. So I hope you all join in and get back on track with me, using art as our inspiration.

Here's a longish gap-filling activity to track the origins of psychedelic music posters that flooded the San Francisco area in the 1960s. What do they remind you of?

Both aesthetic movements capture the feeling of their changing times, even if the periods don’t _____________ each other perfectly.

If you’ve never heard of the bands _____________ you’d be able to guess what kind of music they play.

The style, which includes curly, _____________lettering, has become synonymous with the psychedelic ‘60s, even if it was created earlier.

The style that resulted from the rejection of industrialization’s “ugliness” _____________ many different names in different languages.

Art Nouveau often features flat, _____________ patterns, feminine figures, and organic motifs _____________ with fluid, abstract forms.

Art Nouveau creators married aesthetics with utility, and believed that no object was _____________ to be beautiful.

Like the late 1800s, the 1960s were a time of cultural _____________, with San Francisco as its _____________ in the US.

To advertise new bands, it was clear that posters with regular _____________ and grayscale photos just were not going to _____________.

By the mid-60s, Art Nouveau was already living a _____________, particularly in textiles. For the posters, the artist took some Art Nouveau staples and turned _____________.

The style the artists picked up on was one full of feminine figures, often nude and with a _____________ glance.

They often pulled images directly from the Art Nouveau posters, replacing their soft pastels with a vibrant _____________.

The idea of softening edges of the fonts to make them barely legible actually

_____________: to hold your attention, at least until you made out what was written.

The posters were an easy way of spreading this aesthetic, and the artists behind them became celebrities _____________.

Enjoy it! And give us your answers in the comments, even if they can be easily checked with the video's closed captions.

Weaving language and tapestry making

Hi everyone!

I'm very sorry I have been absent for such a long time! But if you know me, you know that this is my usual pattern.

The visit to an exhibition on William Morris and the Arts and Crafts movement has inspired me to look for videos that show the beauty of craftmanship. This one, apart from being extraordinarily informative as well as wonderfully produced, is intended to remind you of the metaphors we saw in class not long ago.

The "warp and woof", meaning the foundation of something, is a typical example of a metaphor that alludes to the art of weaving (although the technical terms preferred nowadays are warp and weft), but the most interesting idioms we could see were those in which the background metaphor was "storytelling is weaving": the thread of discourse, the loom of language, to weave a story; as well as those where we understand the metaphor "storytelling is lying": to fabricate, the fabric/tissue of lies, to pull the wool over somebody's eyes, to make up of whole cloth, to spin a yarn. Weaving and language thus become intricately interwoven (see what I did there?) through an underlying metaphor: the storyteller and poet as a weaver of language.

With this in mind, it was only natural that the first video about arts and crafts that I wanted to present to you had to do with weaving: here you have the art of tapestry making at the Manufacture Nationale des Gobelins in Paris.

The activities I propose for this video are fairly open questions, because I don't want to detract from the enjoyment of watching the art that these women (only women in the video!) bring to life. The explanations are so clear that I also wanted you to focus on the accuracy of language in the voiceover without thinking much about exercises.

So, share with us in the comments: which of the jobs carried out at the Gobelins do you think is the hardest, and why? Which one would you rather do if you could work there, and why? Try to use the specific language you can hear in the video.

Optional: note down all instances of the passive voice.

Enjoy!

Learning Through Art

Hi everyone!

Back here! Finally! The hiatus was worth it, though, now I have a PhD under my arm, and a desire to make this blog active again with lots of comprehension challenges!

This first video has been watched by most of you through the mailing list, so I'm including it here for you to check your answers and to have a permanent link to it. Even if you've replied to it by email, you can still make comments, you know I love to see the comment section alive!

This is an introduction to the learning programme of the Houston Museum of Fine Arts. I'm fascinated by the way in which cultural institutions develop or adapt curricula to encourage hands-on learning processes.  These are the comprehension questions I propose:

Watch the first minute of the video and reply to these questions:

1. What is the main question they want to investigate with the Learning Through Art Programme?

2. What does a student have to do to succeed in today's global society?

3. What skills need to be developed for this purpose?


Now watch the rest of the video and complete these sentences:

1. Habits of mind are the _____________ between the classroom and the museum.

2. Students are motivated by _____________  and learn best by _____________ .

3. The abilities strengthened by learning through original works of art are the application of knowledge in a real-world setting, a deeper understanding of content, and the ability to _____________ complex ideas.

4. To implement these ideas in your classroom, all you need is a _____________  rather than a background in Art History.


Key here, as usual, and please share your answers or any ideas in the comment section. What do you think of these educational programmes in museums?

Learning Through Art: Introduction from Museum of Fine Arts, Houston on Vimeo.

Topic Video: Architecture and Conservation

Hello everyone!

Back after a short break with a topic video! This one was inspired by my finding out that the magazine Arts and Architecture has been reprinted by Taschen. Definitely not affordable, but great news for those interested in that magazine, and who could only try to get hold of vintage issues.

One of the features of the magazine was the Case Study House Program. If you want to find out about it, and about what has been done in recent years to promote conservation of these designs, go ahead and watch the video!

...with an activity, of course. Here's the key: now you only need ten minutes and, if you could find two minutes more, you could even leave a comment!


1. There were _______________ 11 individuals, organizations, projects or programs that received awards.
2. The Case Study House Program was one of the seminal efforts in designing and building _______________  in the US.
2. Only 25 houses were built of a total of 35 homes and _______________  designed and published on the magazine.
3. They designed single-family residences, incorporating the _______________  in construction, materials, landscaping, and even _______________ .
4. The result had a _______________  on architectural design all over the world.
5. Due to risk of demolition or alterations that would make them _______________ , there was an effort to get the homes listed on the National Register of Historic Places.
6. The project spanned 11 years, after which ten houses were listed and one was _______________ for listing.
7. The project succeeded in raising awareness of and appreciation for these _______________  and their architects.

Treasures of Afghanistan

Hello!

Back again with one video that you may have probably enjoyed already as part of your daily videos. It's an introduction to a wonderful exhibition at the British Museum. Unfortunately, it was on show last year, so there is no way for us to fly to London and see it now... To make up for it, we do have the chance to watch a wealth of videos kindly uploaded by the British Museum.

Here are some comprehension questions for this video, which tells the story of the preservation of Afghan national treasures from the atrocities of war.

1. Who discovered the nomads’ graves?

2. When did they decide to hide the objects? Which objects were to be hidden? Where?

3. Why has Mr Omar Sultan supported the exhibition to be shown outside Afghanistan?

4. According to him, what do Afghans want to share with the world?


I hope you enjoy it very much! It's nice to be back, and I'd LOVE to see a bunch of comments for this video!

Inside the Great Mosque

Back from the break! I hope you had time to rest and got new batteries for the (short) rest of the year!

Again with the invaluable help of Encarna first, then Irene (I actually corrected some details from my own transcription, thank you to both!) we can give you this video with a full transcript in the comments. It's part of a series about art in the South of Spain. Some of you have already watched the video, but now it's time to enjoy it and work a little with it.

Gap-filling for the activities, with more than one word per gap. Answers, as usual, in the comments, although you can always check with the transcript.

Enjoy!

1. The effect of mirrored columns intends to make the visitor feel _______________ and _______________ .

2. The designers could only use architectural forms as Islam bans the _______________.

3. Islam being a religion without hierarchy, the architects could create a feeling of _______________ in those who entered and prayed.

4. Abd ar-Rahman considered that what the palm tree had in common with him was his condition as _______________.

5. The Catholic cathedral was built by dismantling _______________ of the Mosque.

6. The Emperor Charles V realised it had been a mistake, even though he had _______________ himself.

7. The historian believes that the Catholic cathedral represents how one set of religious values was _______________.