Thursday 1 February 2018

Weaving language and tapestry making

Hi everyone!

I'm very sorry I have been absent for such a long time! But if you know me, you know that this is my usual pattern.

The visit to an exhibition on William Morris and the Arts and Crafts movement has inspired me to look for videos that show the beauty of craftmanship. This one, apart from being extraordinarily informative as well as wonderfully produced, is intended to remind you of the metaphors we saw in class not long ago.

The "warp and woof", meaning the foundation of something, is a typical example of a metaphor that alludes to the art of weaving (although the technical terms preferred nowadays are warp and weft), but the most interesting idioms we could see were those in which the background metaphor was "storytelling is weaving": the thread of discourse, the loom of language, to weave a story; as well as those where we understand the metaphor "storytelling is lying": to fabricate, the fabric/tissue of lies, to pull the wool over somebody's eyes, to make up of whole cloth, to spin a yarn. Weaving and language thus become intricately interwoven (see what I did there?) through an underlying metaphor: the storyteller and poet as a weaver of language.

With this in mind, it was only natural that the first video about arts and crafts that I wanted to present to you had to do with weaving: here you have the art of tapestry making at the Manufacture Nationale des Gobelins in Paris.

The activities I propose for this video are fairly open questions, because I don't want to detract from the enjoyment of watching the art that these women (only women in the video!) bring to life. The explanations are so clear that I also wanted you to focus on the accuracy of language in the voiceover without thinking much about exercises.

So, share with us in the comments: which of the jobs carried out at the Gobelins do you think is the hardest, and why? Which one would you rather do if you could work there, and why? Try to use the specific language you can hear in the video.

Optional: note down all instances of the passive voice.

Enjoy!